A color facsimile of the complete Sunday color pages of George Herriman's Krazy Kat from 1935-44. One of the first comics to be considered a work of art, Krazy Kat delights with its detailed characterization and visual/verbal creativity alongside the slapstick shenanigans between Krazy and Ignatz the mouse.

One of the first comics to be considered a work of art, Krazy Kat delights with its detailed characterization and visual-verbal creativity alongside the slapstick shenanigans between Krazy and Ignatz the mouse. This volume comes with a 100-page illustrated introduction by Alexander Braun.

George Herriman integrated full spectacular color into Krazy Kat in June, 1935.

Krazy Kat's most surreal adventures were the famed "Tiger Tea" sequence where Krazy Kat imbibed a psychedelia-inducing substance. This is George Herriman at his best in the only full-length Krazy Kat adventure story of his career...

The greatest Krazy Kat Sunday pages by George Herriman are reprinted here for the first time in their original size and colors, just in time for Krazy's 100th birthday! Included is a sampling of all Herriman's pre-Krazy comic creations, most never reprinted before. With contributions by Michael Tisserand and Art Spiegelman.

The multiple Harvey and Eisner Awards series collecting one of America's true national treasures, Krazy Kat. This is the fifth in a series reprinting George Herriman's early 20th Century comic strip masterpiece. Most of these strips have not seen print since originally running in Hearst newspapers over 70 years ago.

Jim Woodring has been chronicling the adventures of his cartoon Everyman for almost 30 years. These stories are a singular rarity in the comics form - both bone-chillingly physical in their depictions of Frank's travails but profoundly metaphysical at the same time. Not since George Herriman's Krazy Kat has the comics language been so exquisitely distilled into pure, revelatory aesthetic expression.

As Fantagraphics' ambitious plan to reprint every single Sunday Krazy Kat page created by George Herriman for close to three decades (this being the penultimate book) careens toward the finish line, this volume features another three years' worth of Sunday strips - over 150 little masterpieces by the greatest cartoonist of all time, featuring the greatest comic-strip love triangle of all time: "kat," "mice"and "pupp."

The gorgeous evolution continues in this third color volume...

The New York Journal of Books says that the first volume of LOAC Essentials (Baron Bean 1916) "sets the standard for archival and reprint quality." The Washington Times writes that it's "beautiful. It showcases Mr. Herriman's developing style and his move toward a combination of absurdity, surrealism, and art deco."

Introducing a new series that will reprint early daily newspaper strips that are essential to the history of comics. Each volume will contain a full year of dailies. By reproducing the strips one per page in an oblong format, it allows us to have the experience of reading the comics one day at a time.

Krazy and Ignatz 1943-1944 covers the last two years of Herriman's master-piece.

“Mit Dose Kids, SOCIETY IS NIX!” So said The Inspector about the Katzenjammer Kids. But he could have been speaking of all comic strips in their formative years in the early 1900s. From the very first color Sunday supplement, comics were a driving force in newspaper sales, offering a wild parody of the world and the culture found in the surrounding pages. Society didn't stand a chance! These are the origins of the American comic strip, born at a time when there were no set styles or formats, when creators had the freedom to experiment, when artistic anarchy helped spawn a new medium.

ESTIMATED ARRIVAL: JULY 15, 2025

In 1999, the Comics Journal named Herriman's Krazy Kat the greatest comic strip of the 20th century.